The Weekly E.T. 003

Editing Tip 003: Raising Questions and Delaying Answers

Raising questions that are not immediately answered is a great way to keep your audience engaged in your story.

When I was finalizing the cut on my latest feature (“Into the Void” – happy to announce the cut is now locked!), there was a scene that ended with the Heroin asking if his captor would return him. The scene was originally shot with a response from the captor where he tells the Heroin exactly what’s on his mind. He didn’t give a simple “yes” or “no” response, it was a little ambiguous, but I thought the ending of the scene could be strengthened. I decided to cut out the captor’s response altogether and just have him stare back at the Heroin. This makes the audience ask, “Well, is he going to return him?” It made the scene a lot more powerful!

These tips are gathered from experience and study, but as anything in life, are up for debate. If you have any comments/suggestions leave them below or if you would like to write a guest post with an E.T. you have, email me at: jeremywanek@gmail.com.

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The Weekly E.T. 002

Editing Tip 002: Match cuts may cut out continuity errors, but they may also kill all the emotion.

I think, especially when Editors are first learning the craft, there is a tendency to focus on continuity and matched action. It’s not that you shouldn’t put focus on matched action, but it’s down the list a ways from what really tells a great story.

Walter Murch’s Rule of Six:

1. Emotion

2. Story

3. Rhythm

4. Eye-trace

5. Two-dimensional plane of screen

6. Three-dimensional space of action

These 6 things are what makes a cut work. While you should try to accomplish all of the 6 criteria on each cut, it’s definitely not always possible. If you can’t do all of them, start sacrificing from the bottom of the list. You should never cut the emotion out of the scene to make the actions match better. If the continuity is off in a cut but the emotion is right, most people won’t notice a thing because they will be engaged by the impact of the story. IMDb lists loads of continuity errors in nearly every movie.  The fact is, every movie has them. If they didn’t the story would be confusing. Without cutting at the proper time for emotional impact the audience may not understand the scenes subtext.

“I never cut for matches, I cut for impact.”

— Sam O’Steen

Further Reading: In the Blink of an Eye (Murch’s Rule of 6), The Eye is Quicker (Ch. 3).

These tips are gathered from experience and study, but as anything in life, are up for debate. If you have any comments/suggestions leave them below or if you would like to write a guest post with an E.T. you have, email me at: jeremywanek@gmail.com.

If you want future editing tips sent to you by email, subscribe to my blog!

The Weekly E.T. 001

Editing Tip 001: The script is not written in stone

When you’re working on a narrative feature the script is very important — it’s a vital roadmap that keeps you on track and gives you a clear direction to go in. However, following it to a “T” will probably not create the best movie. Words on a script do not come across the same as visuals on a screen.

I began editing my first feature film, “Into the Void, ” (Which will hopefully be released later this year) by simply starting with scene 001 and following along with the script. By the time I had all the scenes put together, the movie was 160 minutes long. The script was only about 90 pages, and even though it was dense in some areas, I didn’t expect a movie of this length. The Director yelled out (on Facebook), “We have an epic!”

Realizing that there was still a lot of fluff in the cut, I began making my second cut by going through and cutting the “fat” — removing unnecessary pauses, finding better takes, eliminating lines of dialogue, etc… After many sets of revisions, the movie was down to 120 minutes. I felt pretty good about it at the time, but it still felt “off”.

Now I realize that it was awful. There were too many subplots, the scenes and sequences weren’t meshing together, there was a ton of unnecessary dialogue or that did too much “telling”, and most importantly, there were scenes that didn’t add any real value to the story.

I followed the script though — how could I have drifted so far off course?

It’s kind of like a movie that is adapted from a novel. If you were to include everything from the novel in the movie, the movie would be crazy long and include way too many different story elements that are not essential. They are totally different mediums. I think it’s a great starting place to begin editing the movie based on the script. After that initial cut though, there is still a serious amount of work to do that can take the story above and beyond the script.

Here is a list of some of those things:

  • Remove scenes (Just because they work in the script, or were at least expected to, doesn’t mean they will work in the movie)
  • Re-arrange scenes, and sequences of scenes, to get the most emotional impact
  • Cut dialogue (Dialogue can sometimes get too wordy or might not sound like something the character would say or be feeling at a given moment)
  • New scenes or dialogue may need to be added to fill gaps in story
  • Your movie shouldn’t be 160 minutes unless it truly is an epic… 90 minutes is a good target for most movies I think.

I’m happy to report that “Into the Void” is now at 90 minutes and is extremely close to a final cut. This was accomplished by using the tips above and many more that I will continue to share every week.

These tips are gathered from experience and study, but as anything in life, are up for debate. If you have any comments/suggestions leave them below or if you would like to write a guest post with an E.T. you have, email me at: jeremywanek@gmail.com.

If you want future editing tips sent to you by email, subscribe to my blog!

The Weekly E.T. — Become a Better Video Editor

Over the past year I’ve been focusing on bettering myself as a Video Editor. I’ve been doing this by reading books on the subject, watching TV shows/movies/commercials/etc more closely, learning new editing software and continuing to edit personal and paid projects.

Last week I thought it’d be cool if I could find a website that gave weekly editing tips. After looking for nearly 20 minutes (!) I decided to just make my own.

The Weekly E.T. (Editing Tips) will feature, as one would imagine, a new editing tip every week.If you are someone who wishes to refresh or improve their skills, as a Video Editor, subscribe to my blog and you will receive an email notification for every new tip. I would love for this to be a social thing as well, so feel free to leave comments/suggestions on every post. If you have an E.T. of your own you’d like to share, email me at jeremywanek@gmail.com and you can write a guest post for my site.

The first E.T. will be posted tomorrow!

New Demo Reel

I went back and forth on several different ideas for my 2011 demo reel. Trying to think outside the box, I wanted to do something really great. I was really proud of my first reel I made in 2009 but I wanted this one to really step it up.

What I ended up making was something much simpler, that basically just showcases some of my best work over the past couple of years. I mean, isn’t that what a demo reel is for anyways? I did however, come up with an interesting front and end bookmark to the whole video.

I was going to try and fit in camera operating jobs but it was just too tricky to say my exact role on each project. So I decided to make a separate reel for that, that I will hopefully get around to soon.

Getting Back into Sports – Well, Sort of

When I was younger I loved sports. I was in soccer, baseball and basketball. Basketball was definitely my favorite; I practiced shooting and dribbling every chance I got. When I got sick of that I would go inside and play a basketball game on the PC.

Glasses & Braces = Me at 10

In 7th grade I stopped playing basketball – it just wasn’t interesting to me anymore. After that, I got into extreme sports like BMX and skateboarding. I would tape myself trying to learn new tricks or tape my friends skating all over the place. A box of tapes proves my passion to perfect the ollie and stick the kick-flip. But it didn’t take long for me to realize that I liked using the camera more than the skateboard.

A force to be reckoned with.

From then on out I haven’t really looked back. Filmmaking definitely took over all my free time.

About a month ago I was recommended, by a former co-worker, to an Editor, that worked for Yokal Sports. The show is a local sports TV show that airs on KSTC-45, here in the Minneapolis – St Paul area. I didn’t follow local sports, but I had also never worked as an Editor for a TV show, so I was willing to give it a shot.

I worked on the last 3 episodes of the first season as an Editor on the interview segment. There were some late nights and the workflow was a bit different than I’m used to, but it didn’t take long to figure things out. Overall, it was a great experience and I learned some excellent tips from the Senior Editor, Mark Ferris.

Last Friday we celebrated the end of the first season with a wrap party at the Seven Ultralounge. Besides the restaurant/lounge being pretty awesome, if not a bit too hip for me, lol, I met lots of cool people and it was a great conclusion to the first season of the show.

A second season is still up in the air, so we’ll see what happens. If it does take off, it sounds like it will start up sometime in January.

Here are a few links to some teasers I edited to promote the show (Highly compressed, but you get the idea):

Available for Freelance

I’ve spent the past 2 years as a full-time contractor at Marketing Architects editing and shooting for direct response TV commercials (I will be posting some of those commercials on this site in the following days). I was doing a decent amount of freelance on the side, but now I’m opening up my door to take on as much freelance as I can handle. If anyone is looking for an Editor, Motion Graphic Artist, Camera Operator or DVD Author I’d be happy to help! Check out some of my work on this site or on my Vimeo page.

You can contact me by email at jeremywanek@gmail.com.